The Living Record of Memory

Over the years since its founding, Shakespeare For Our Children has been fortunate to see many young actors inhabit many parts. Yet with each new class of students – filled with fresh ideas and possibilities – there is still the trace of the past performers who brought their own singular approach to a given role. There are perennial favorites from class to class, such as Hamlet, Puck, and Juliet; but then there have also been more surprising choices, like Henry V. In every single case, the student made the role their own.

From videotapes to cell phones, various technologies have preserved these beloved performances. But what truly holds the spirit of each young actor are the words themselves – words that echo with the voices of thespians across the centuries. Such a phenomenon recalls one of Shakespeare’s sonnets: “Not marble nor the gilded monuments / Of princes shall outlive this powerful rhyme / But you shall shine more bright in these contents / Than unswept stone, besmeared with sluttish time.”

Each new group of SFOC students will graduate and share their love of Shakespeare with the next generation; every role will find a different interpreter. What remains a constant, though, are the words that will be spoken – given new life even as they gesture to what has come before. They are, as Shakespeare wrote in that sonnet, “the living record […] of memory.”

“Good Name in Man and Woman”

Who can tell what Shakespeare would have made of our digital age? It brings with it the joys of accessing and sharing information, as we do here! but we all know too well its accompanying dangers. One of these is the ability to deceive, to misguide: a theme that Shakespeare himself explored in Othello.

Here, Othello is driven mad by jealousy and kills his wife, Desdemona, because he believes her to have been unfaithful. Or rather, because he was led to believe this, thanks to lies told by the wicked Iago. He is no ordinary antagonist: Iago declares friendship and loyalty to Othello, all while plotting his destruction. In fact, it is through Iago that one of the finest commentaries on reputation emerges: “Good name in man and woman […] is the immediate jewel of their souls.”

If and when you teach Iago’s monologue to young actors, be sure to remind them of the enduring truth of these words even if spoken by a villain! At a time when personal authenticity can be exchanged for digital immediacy, and identities can be constructed with only a mouse-click, the most valuable thing of all is one’s own character.

©2018